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Je publie « Les inscriptions sont fermées pour le moment » : RÉZO m'a embauché en 2020 pour produire une évaluation des besoins des communautés Noires queers. Le programme issu de ce rapport a disparu des rapports annuels. Le dossier parle de lui-même. vincentmousseau.net/fr/2026/05/i...

Les inscriptions sont fermées pour le moment. Capture d'écran de la page Kominoté sur le site de RÉZO, montrant le nom du programme, sa description comme groupe de soutien par et pour les hommes Noirs et afro-descendants gais, bisexuels, queers et autres HARSAH, et en bas de page, en grand : « Les inscriptions sont fermées pour le moment. »
Bluesky network4d ago

I WILL finish this draft of my dissertation by the end of the month. 💪🏾🫩

Bluesky network4d ago

The city keeps leaving things out for you to find.

A pair of black platform Chelsea boots standing upright on a rectangular paver sidewalk beside a storm drain, on a quiet urban street in early morning light. A red brick building runs along the left side; a green waste bin sits to the right. Cars are visible in the distance. The boots are unoccupied, placed upright and facing forward at the center of the frame.
Bluesky network5d ago

Someone painted a whole year into a missing tile.

A photograph split between two planes of focus. On the left, a tiled wall with one tile removed, leaving a recessed rectangular gap. Someone has painted directly onto the exposed surface behind the missing tile: a bare-branched tree in warm browns and reds, with small touches of green foliage and a blue bird on a lower branch. Handwritten text in black marker occupies the upper portion of the gap in two sections: “I’M SORRY I SIT HERE” on the left, and “THIS PLACE HAS SEEN MY BEST MY WORST MY ART MY WORDS MADE THROUGH WINTER TO SPRING SUMMER AND FALL” on the right. The intervention is small enough, contained to a single tile’s worth of space, which makes it feel both hidden and deliberate. On the right side of the frame, through a rain-streaked window, an urban street scene is visible: a red-and-white striped wooden planter box, tall ornamental grass, a yellow chair in the foreground, and blurred pedestrians and city buildings in the wet grey background.
Bluesky network6d ago

I don’t give a fuck about Formula 1 and all of these tourists are getting on my last nerve

Bluesky network7d ago

New post on Fragments. Place d'Youville, May 20th. A bookstore, a request for Black Québécois fiction, and what it reveals when Blackness can only be imagined through the frame of arrival. #montreal

Bluesky network8d ago

Nouveau billet sur Fragments. Place d'Youville, le 20 mai. Une librairie, une demande de fiction noire québécoise, et ce que ça révèle quand la Noirceur ne peut être imaginée qu'à travers le prisme de la migration. #montréal

Bluesky network8d ago

Oh hi! *waves* Watching Tiohtià:ke get warmer is one of my favourite parts of every year. #Montreal

Vincent (that’s me!) sits on concrete steps against a white stone building, wearing an all-black hoodie with a monogram logo from Artgang Montréal that looks like the NY Yankees logo but with MTL instead, black cargo pants, and round sunglasses. They have curly dark hair, a beard, and a septum ring, and are holding up a peace sign with one hand and a phone in the other. A crossbody bag strap crosses their chest. They are smiling softly at the camera.​​​​​​​​​​​​​​​​
Bluesky network15d ago

Lecture du jour: Le manifeste afro-décolonial de Norman Ajari

Un livre posé sur une table en bois, à côté d’une tasse de café dans une soucoupe bleu-gris. La couverture présente un motif géométrique coloré en rouge, orange, bleu et saumon. On y lit : Norman Ajari, Le Manifeste afro-décolonial : le rêve oublié de la politique radicale noire, publié aux éditions Seuil dans la collection « La couleur des idées ».​​​​​​​​​​​​​​​​
Bluesky network16d ago

New piece up. Four days in #Winnipeg: the mural, the river, Gabrielle Roy, Club 200, and a man wrapped in a Red Cross blanket on Fort Street at 11:15 a.m.

Bluesky network22d ago

What is it about airports that makes people forget they're in public? 😮‍💨

Bluesky network26d ago

New blog post. Under the Bonaventure Expressway, thinking about jobs and #haunting and what it means to hold something instead of resolve it. "I've been coming to this city as someone who's leaving. I didn't notice until I sat down."

Bluesky network29d ago

I’m still here. I’m still undone. The water already knows what to do with what I’ve brought it. vincentmousseau.net/en/2026/04/e...

Bluesky network1mo ago

It's nice out again and I'm so happy

A candid outdoor portrait shows Vincent, a person with a beard and moustache wearing round sunglasses, a black baseball cap worn backward, a silver septum ring, and a heavy silver chain. They are dressed in a black hooded bomber jacket and a black and white keffiyeh draped over their shoulders. They are looking up and away with a subtle smile under a cloudy sky. The Montréal skyline is faintly visible on the other side of the water.
Bluesky network1mo ago

To claim joy in a world that commodifies pain is to declare your refusal to be reduced to your suffering.

Bluesky network1mo ago